Saturday, August 5, 2017

John Wilts Booth




I had a beautiful day to work outdoors. A project that has been on my mind now for a few years, I finally have the perfect day to accomplish.

Except I don't.

The sun is making too much contrast. I can't get the lighting right -- even with my studio lights in front filling in.

I don't like this task anyway. I'm relatively comfortable with the rest of my jury images. The booth shot has always made me edgy.

Art fairs don't really want potters. Art fairs want artists. That makes sense. But I'm a potter and I know it and I don't intend not to show it.

But the only way I'm going to get a booth shot that won't keep me out of the A shows (rather than scoring them every once in a while) is to start taking stuff off the booth and re-shooting.

Making a booth shot is principally different from setting up for a show. Setting up for a show I go through the boxes of pots and say "Oh!....I love that one. I'll put it out" followed by "Oh!....I love that one. I'll put it out" followed by "Oh!....I love that one. I'll put it out" etc.

Making a booth shot I should be saying, "That might be one of the twelve pieces I put out to make the display look as gallery-like as possible." Any more than that and I start to look like a potter.



It's editing. Everyone could use an editor. 'Specially me.


Here the clouds rolled in and allowed for a little better lighting.  I removed about a dozen pieces but it still looks like a pottery.

1 comment:

  1. Probably better with fewer pieces on the shelves, from that perspective. Makes it look less busy and crowded, despite all those lovely pots! Good luck!

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